Empowering Social Change Through Alternative Cinema: A Collaborative Workshop Report
By Arya Jaiswal and Kriti Atwal

Palampur, Himachal Pradesh - The Cinema of Resistance team recently organized a transformative four-day workshop from 8th to 11th June 2023, aimed at empowering film enthusiasts to utilize cinema as a powerful tool for social change. The workshop, held at the serene Sambhaavnaa Institute in Kandbari village, Palampur, focused on cinema collectives, independent film screening practices, and fostering political consciousness while advocating for justice and democratic principles.

The event attracted young individuals, many of whom were actively involved in community work. The workshop aimed to provide participants with the necessary tools and knowledge to effectively engage with audiences and promote social consciousness through film. The curated sessions featured prominent documentary filmmakers from various parts of India, who shared their expertise and experiences with the attendees.

Among the esteemed resource persons were Amudhan R. P., co-founder of Marupakkam, a media activism group; Debalina Majumdar, a filmmaker and cameraperson who is passionate about environmental issues and gender; Fathima Nizaruddin, an academic and documentary filmmaker with a focus on practice-based artistic research, Nakul Singh Sawhney, founder of Chal Chitra Abhiyan, a media initiative which trains local community members to report on local issues; Sanjay Joshi, a full-time cinema activist and publisher at Navarun; Saurabh Kumar, an independent multimedia journalist and co-founder of Opia Films; and Aswathy Senan, a researcher, translator, and writer based in Delhi.

DAY 1: Understanding People’s Cinema
08 June 2023
The Cinema of Resistance workshop kicked off with a dynamic schedule, prioritizing participant engagement and knowledge enrichment. Day 1 delved into the captivating history, relevance, and impact of People's Cinema and Cinema of Resistance, setting the stage for an immersive learning experience.

Session 1: Introducing the Workshop and Sambhaavnaa Campus Walk

The day commenced with an introductory session, where participants acquainted themselves with each other, fostering a sense of community and collaboration. A campus walk at the picturesque Sambhaavnaa Institute further familiarized everyone with the surroundings, creating a conducive learning environment.

Session 2: Understanding People's Cinema & Cinema of Resistance (Sanjay Joshi and Fathima)

Resource persons Sanjay Joshi and Fathima presented a compelling case study on the Cinema of Resistance, offering profound insights into its historical roots, functioning, and impact. The session shed light on fundraising and volunteer engagement, highlighting the diverse activities undertaken by the campaign. Emphasizing the shift from big film festivals to intimate home viewings, the session underscored the significance of independent film screenings and public gatherings in both urban and rural areas. Moreover, it highlighted the role of film societies and the screening movement in promoting alternative cinema and fostering meaningful engagement with marginalized communities, leaving participants enriched with a deeper understanding of the Cinema of Resistance's influence and operations.

Session 3: History of People's Cinema (Amudhan and Nakul)

In this enlightening session, Nakul delved into the world of independent documentary films and film collectives, posing thought-provoking questions on the essence of documentary filmmaking. The discussion revolved around the challenge of defining documentary films, whether they represent reality or our subjective interpretation of facts. Nakul also explored the different types of documentary films, each with its unique capacity to challenge preconceived notions and inspire reflection. Notable films, such as "1965 – Miles to Go," "I Am 20," Anand Patwardhan’s "Waves of Revolution," and "Prisoners of Conscience," served as powerful examples to understand the journey of independent documentary practice in India.

Amudhan's insightful presentation delved into the history of the Centre for Development of Instructional Technology (CENDIT) and its role in nurturing independent documentary practice in India. He shared personal experiences of CENDIT's pivotal role in supporting independent documentary filmmakers. Established in the 1980s, CENDIT collaborated with people's movements across India to address development issues. Acting as a vital bridge between independent filmmakers and people's movements CENDIT amplified the voices of workers and women through impactful film screenings and training programs for aspiring filmmakers.

Session 4: Thought-Provoking Film Screening and Interactive Discussion (Debalina)

The day culminated with a powerful film screening of "Unclaimed," directed by Debalina. The screening provided a first hand demonstration of film exhibition techniques in different venues. Following the screening, an engaging discussion with the filmmaker ensued, allowing participants to delve deep into the film's themes, artistic techniques, and overall impact. The interactive session enriched the participants' understanding of the expressive potency of cinema, inspiring contemplation on the myriad possibilities of the documentary film form.

DAY 2: Unraveling the Ground Impact of Films
09 June 2023
Day 2 of the Cinema of Resistance workshop was dedicated to exploring the profound impact of films and delving into crucial aspects of curation, community filmmaking, and open discussions.

Session 1: Navigating Content Possibilities in Curation (Amudhan)

Amudhan led an enlightening session on the art of curation, exploring the vast potential of content in diverse forms. The session included a captivating case study of the film collective "Marupakkam," showcasing an array of new media content formats. From poignant long and short documentaries to independent-run YouTube channels, resistance music videos, Kabir music, and spoofs – participants were introduced to the wide spectrum of content options available for effective dissemination. The session encouraged participants to think creatively and discerningly about curating content that best aligns with their objectives and resonates with their audiences.

Session 2: Embracing Challenges and Possibilities of Community Filmmaking and Screening (Nakul, Fathima, and Saurabh)

Nakul shed light on the critical issues of caste and polarization in community filmmaking using examples from thepowerful videos from ChalChitra Abhiyaan. Participants were given a glimpse into the transformative power of films in addressing societal divisions and promoting unity.

Saurabh shared his own experiences as a filmmaker, delving into the financial considerations and technical aspects involved in documenting protests. He showcased insightful videos from Opia Films, inspiring participants to explore the potential of films in capturing social movements and advocating for change.

Fathima enriched the session with valuable perspectives on gender-related challenges in filmmaking and screening. Her insights provided a deeper understanding of the role cinema can play in challenging stereotypes and fostering inclusivity.

Session 3: Open Forum - Voices from Community Screening Experiences

A diverse array of participants from various locations, including Seemanchal Library Foundation and Ilham Academy in Kishanganj, Bihar; Nanakmatta Public School in Nanakmatta, Uttarakhand; Santa Nibedita from Madhya Pradesh; Team Akhra from Ranchi, Jharkhand; and ChalChitra Abhiyaan from Kandhla, Uttar Pradesh, shared their enriching experiences of community screenings. Each speaker had 25 minutes to present their insights, highlighting the unique challenges and successes they encountered in working with diverse communities.

The interactive session encouraged participants to share their own film screening experiences, providing a platform for shared learning. The format involved sharing details about the location, film or curation, the audience, and recounting a memorable experience associated with each screening. These narratives provided valuable feedback and practical insights, enhancing the participants' ability to navigate challenges and improve the effectiveness of future film screenings.

Session 4: An Emotional Journey through Captivating Short Films

The day concluded with an emotionally engaging film screening session, showcasing a curated selection of thought-provoking short films. The lineup included powerful titles such as "Zoo," "Neighbour," "Chairy Tale," "Printed Rainbow," "Being the Other," and "Joy Run." Each film offered unique perspectives and compelling narratives, leaving a lasting impact on the participants.

DAY 3: Lights, Camera, Action - Village Film Screening
10 June 2023
Day 3 of the workshop was all about translating theory into practice. Participants delved into the practical aspects of organizing film screenings, from curation to technical preparation, campaigning, dialogue initiation, and documentation. The day culminated with an immersive film screening experience in a rural village.

Session 1: Mastering the Art of Film Screening (Aswathy, Sanjay Joshi, Amudhan)

Aswathy, Sanjay Joshi, and Amudhan took the lead in equipping participants with comprehensive knowledge on conducting film screenings. They provided practical insights and tips, supported by a helpful manual prepared by "Chalti Tasveerein" to facilitate the learning process.

Session 2: Training in Action - Curation, Technical Readiness, Campaigning, and Documentation (Amudhan, Aswathy, Saurabh, Fatima, Sanjay Joshi, Nakul)

Participants split into teams, each focusing on specific aspects of film screenings. Amudhan and Sanjay led the curation training, emphasizing the significance of understanding the local context to curate meaningful experiences.

Aswathy and Saurabh offered technical preparation training, guiding participants through the technical requirements for seamless screenings.

Fathima headed the campaigning team, imparting skills for effectively spreading information about film screenings, while Nakul led the documentation team, emphasizing the importance of recording and preserving the screening experiences. Each team atte tailored training sessions which ensured that the participants were well-equipped with the essential skills.

Community Screening

In the afternoon (3-5 pm), participants put their learning into action by organizing a film screening in a village, situated within 10 km from Sambhaavnaa Institute. The unique location, a converted dumpyard area transformed into a suitable public space, added significance to the screening, showcasing the participants' creativity in utilizing unconventional venues for film events.

The village screening provided participants with an immersive experience, transforming a regular space into a captivating film screening area. Participants applied their technical know-how and organizational skills, engaging the local community in an outdoor film screening in a rural setting.

Session 3: Reflecting on the Village Screening Experience

Following the village screening, participants gathered for a dedicated reflection session. They shared their experiences, discussing the challenges, triumphs, and lessons learned from organizing and executing the village screening in the transformed dumpyard area. The unique setting sparked discussions on the importance of adaptive engagement and the value of utilizing unconventional spaces for cinematic events.

DAY 4: Gratitude and Future Visions
11 June 2023
The final day of the workshop was filled with expressions of gratitude, reflections, and visions for the future. Participants came together to provide feedback on the practical screenings conducted on Day 3, express their heartfelt thanks, and explore possibilities for future collaborations and continued engagement in the world of alternative cinema.

Session 1: Reflection and Feedback on Practical Screenings

During this session, the teams that organized the practical screenings on day 3 shared their feedback and reflections. Each team presented their experiences, discussing the highlights of their preparation process and the successful elements of their screenings that aligned with their intentions. They also openly addressed areas where they encountered challenges or technical difficulties. The self-reflection exercise allowed participants to gain valuable insights and collectively work towards improving future film screening endeavors.

The feedback session provided a platform for teams to discuss the obstacles they faced during their screenings and share ideas for potential solutions. This open and collaborative discussion enabled participants to learn from each other's experiences and take away valuable lessons to enhance the quality of future film screenings.

Session 2: Heartfelt Gratitude and Appreciation

In a touching and heartfelt session, participants expressed their gratitude to the Sambhaavnaa Institute and the workshop team for curating an enriching and transformative experience. They conveyed their appreciation for the supportive and inclusive environment that encouraged creativity, exploration, and personal growth throughout the workshop.

Participants also extended their heartfelt thanks to the resource persons, acknowledging the valuable expertise, experiences, and perspectives shared. They expressed how these insights had deepened their understanding of cinema and left a lasting impact on their personal and professional growth in the field of alternative cinema.

The session became an opportunity for participants to share specific moments, activities, or discussions that had inspired them during the workshop. These expressions of gratitude demonstrated the profound effect the workshop had on the participants and the deep connections formed with fellow cinephiles.

Session 3: Forging Connections and Future Collaborations

The workshop concluded with a session focused on networking and planning for future collaborations. Participants actively engaged in discussions on how to maintain connections and continue supporting each other in organizing cinema screenings beyond the workshop.

Led by Sanjay Joshi, plans were initiated to hold meetings with different groups from various states in the coming days. These meetings were designed to foster connections, exchange ideas, and facilitate collaborative efforts in organizing cinema screenings. Specific dates and locations were set for these meetings to ensure inclusivity and encourage enthusiastic participation.

The networking session provided a platform for participants to explore possibilities for future collaborations, joint projects, and partnerships that could amplify the impact of alternative cinema screenings. Participants exchanged contact information and committed to working together towards meaningful social change through the power of cinema.

For those interested in learning more about the Cinema of Resistance initiative and future workshops, please contact the Cinema of Resistance team.

Contact:
Cinema of Resistance Team:
Email: cinemaofresistance.in@gmail.com
Website: www.cinemaofresistance.in
Phone: 8130568120

Friends,
The Cinema of Resistance campaign in association with Sambhaavnaa Institute is organizing a four-day workshop on ‘Cinema of Resistance’ for film enthusiasts using the medium of documentary and alternate films. If you are involved in working with communities and want to use this medium to engage with the audience for political consciousness and raise issues pertaining to justice and democratic values, this workshop will equip you with the tools to do the same.
In spite of the access to free sources of cinema online and the overflow of material through various online portals, the kind of movies we end up watching are of a certain kind. How do we know about or see a world of cinema that is different from what is ‘provided’ to us? These four days with documentary filmmakers, cinephiles and members of cinema collectives will open the world to the joy and meaning of screening and watching films collectively.

Who can apply: We invite applications especially from those who are working with social movements across the country and learn how to use cinema to further your cause and vision.
Welcome to the wonderful world of cinema!

Objectives of the Programme:

To give an overview of the history and impact of various cinema collectives in India
To train the participants in doing collective film screenings and initiate conversations on various issues
To orient them to be alert about audiovisual content in circulation
To share films and videos that can be screened in their area of work
Resource People:

Sanjay Kak is an independent documentary filmmaker and writer whose recent work includes the films Red Ant Dream (2013), Jashn-e-Azadi (How we celebrate freedom, 2007), and Words on Water (2002).

A self-taught filmmaker, he writes occasional commentary, and reviews books that he is engaged by. He has been active with the documentary cinema movement in India, and with the Cinema of Resistance project.

Amudhan R. P. is a documentary filmmaker and media activist. Along with local youth, he founded Marupakkam, a media activism group that is involved with making documentaries, organising regular screenings, film festivals and media workshops in and around Madurai. He founded Madurai International Documentary and Short Film Festival in 1998.

Sanjay Joshi is a fulltime Cinema of Resistance activist and also runs a publication house Navarun.

Fathima Nizaruddin is an academic and documentary filmmaker. Her last film, Nuclear Hallucinations (2016) emerged out of her practice-based Ph.D. at the University of Westminster. She is an assistant professor at the AJK Mass Communication Research Centre, Jamia Millia Islamia, New Delhi.

Nakul Singh Sawhney is an documentary filmmaker and founder of the Chal Chitra Abhiyan, an media initiative that trains local community members to report on local issues. CCA primarily produces video-based content including short-document films, news features, and live broadcasts and is one of the groups that has been covering the Kisan Andolan extensively.

Aswathy Senan is an independent researcher, translator and activist based out of Delhi, India. She is a film enthusiast and was the Coordinator of Chalti Tasveerien, a travelling film festival initiative.

Saurabh Kumar is a Multimedia Journalist, and Documentary Filmmaker from Mumbai, Maharashtra. He co-founded Opia Films, an independent production house and Public Bolti, a volunteer-led initiative to highlight disruptions caused by the Coronavirus lockdown. He is deeply involved with ‘Cinema of Resistance’ a cultural initiative that aims to increase access to cinema and art that engages with issues facing civil society.

Language: Hindi and English

Dates and Venue: 18th to 21st November, 2021. | Sambhaavnaa Institute, VPO – Kandbari, Tehsil – Palampur, District – Kangra, PIN 176061, Himachal Pradesh.

On 21st and 22nd August 2019, cinema of resistance team travelled to Kaushambi to conduct community screenings. One of the key screenings was with the girls of Kasturba Gandhi Awasiya Balika Vidyalaya. The screenings here comprised of science films, Norman Meclaren